Wednesday, 15 February 2017

St John, Woodbridge, Suffolk

Excepting the peculiar spire St John is a run of the mill Victorian build with little to no interest, but it was open which has to be a plus in its favour.

ST JOHN, St John’s Hill. 1844-5 by John M. Clark to a design by his friend, a local builder, Alfred Lockwood. Yellow brick, in the lancet style, with a W tower that turns higher up into a funny spire. The tower is square below, the spire octagonal, first with long open lancets, and only then steeply pyramidal. The side windows of the church are groups of three stepped lancets. Coved ceiling with ribs and bosses. Penetrations connect the windows with it. Canted-forward W gallery.

St John (4)

Looking west (2)

WOODBRIDGE. It is one of the most delightful small towns of this enchanting countryside, though as crowded with houses as its past is crowded with memories; its long street has hardly an inch to spare. The river bed has silted up since Woodbridge built ships for the Navy, but still the barges carry coal up the River Deben, and still there is much yachting here, and flourishing industries that have to do with ships.

It is one of the towns in which it is pleasant to walk about for the sake of old buildings, old inns, and old houses, and as we walk there come continually to mind the names of famous men who have walked before us here. This town has richly served its country, and the sights we see have been familiar to men whose names are known far and wide about the world. The National Trust is now the guardian of a beautiful site by the river that all Woodbridge people have loved, known as Kyson, and another delightful green space now belonging to all is Elmshurst Park, which has grown out of a beautiful private garden. Kyson was given to the nation by Mr R. C. Notcut, Elmhurst Park was presented to the town by Lord Woodbridge.

It is good to find that the Post Office has admirably done its duty to a fine town by joining hands with the Suffolk Preservation Society in preserving an ancient house. On the site of this 16th century house the new post office has been set up in such a way as to preserve the finest architectural features, the plaster ceilings in the rooms, and a Jacobean fireplace. It is an example the Post Oflice might well adopt in all our ancient towns.

In the same way there has been preserved through all its reconstructions since the 16th century the beauty of the Shire Hall, built on Market Hill by the benefactor of Woodbridge, Thomas Seckford. He was the great Elizabethan of this little town and will not be forgotten. His Shire Hall is Flemish in design, and he set under it the old Corn Exchange, originally open so that carts could be driven through, but now bricked in. His almshouses have been rebuilt, but they are one of the noble spectacles of the town, a delightful long row set on a hill, the home of 30 poor men who wear Thomas Seckford’s silver badges, a few married couples, and a few women living in a separate house to nurse them when they are ill.

A little after Thomas Seckford’s day the Friends Meeting House was built (in 1678) and it has a simple graveyard in which we find, among flowers and trees, a poet’s grave. It is in a lane down which the feet of a host of men have walked to pay tribute to Bernard Barton. He lived here about 40 years, son of a Quaker maltster, starting life in shopkeeping and becoming clerk to the local corn merchant, whose daughter he married. He lost his wife within a year and was left with one child, Lucy, who lived to become the wife of another and more famous poet, Edward FitzGerald - an unhappy marriage as it proved, for they were not congenial, and agreed to part. Barton lived on as a bank clerk after his wife’s death, and his poetry was the chief interest of his life. He was one of Charles Lamb’s best friends, and a consoling influence to him in the desperate crisis of his life. When he was 36 he had so many admirers of his poems that they presented him with £1200, and a few years before he died Sir Robert Peel invited him to dine, and got for him a Civil List pension. His quiet life was brightened by visits from Lamb and FitzGerald, and one of the pictures it is pleasant to think of in this country scene is of these poets walking on the river bank. When Barton died in 1849 his biography was written by the hand that wrote the immortal translation of Omar Khayyam.

There is another old graveyard in Woodbridge in which lies the father of one man of fame and the grandfather of another; he was William Lankester, father of Edwin Lankester, the pioneer of public health whose son was the great Ray Lankester, one of the most delightful scientific men of our time. In this graveyard now stands the Congregational Chapel.

Still another small graveyard with a curious interest we come upon in the tiny walled garden of the Bull Hotel, the old coaching inn on Market Hill where Tennyson stayed. Edward FitzGerald had a room in a house near it for 13 years, and the house has a tablet with his initials on it. Through the hotel yard we come to the grave of George Carlow, who owned the inn in 1738, when he died and was buried here. He left to the inn a small charity to distribute bread each year to the poor, and the bread is still distributed at his grave. On the stone is the doggerel from Shakespeare's grave, blessing the men who spare these stones and cursing them who move these bones.

The old Ship Inn near the quay has been turned into cottages, but the Bell and the Crown both remain. The Bell Inn, with its overhanging timbers, has kept from generation to generation what is the only thing of its kind in Suffolk, and one of very few left in England, the old steelyard for weighing hay, wool, and hides. The Crown Inn has memories of the days when Woodbridge was busy building ships for the Navy, and even of the days before that, for from it there went out into the world an English seaman of the days of Francis Drake, the little known John Fox, who set free a number of Christian captives at Alexandria. His father owned the Crown. In later days the inn was owned by Peter Pett, the man of whom we read much in Pepys, who succeeded him at the Admiralty. He was a Commissioner of the Navy in the bad old days, and it is said to have been his habit to pack the well-paid ofiices with his relations. Pepys called him a knave who deserved to be hanged for his neglect, and declared that he paid himself for the entertainment he gave the king, that he sold timber to the Navy under another name, and so on. He was charged with being the cause of a disaster at Chatham and was sent to the Tower, but the matter was dropped as it was apparently brought forward merely to make him a scapegoat. Andrew Marvell put the case in these four lines:

After this loss, to relish discontent,
Some one must be accused by Parliament;
All our miscarriages on Pett must fall;
His name alone seems fit to answer all.


The fine Woodbridge School has outgrown its old buildings, and was rehoused last century with laboratories, workshops, swimming baths, and boarding houses. The 17th century buildings are now used as a free library under the trusteeship of the Seckford Governors, and there has been discovered in one of the library windows in our own time a pane of glass of much historic interest. Mr V. B. Redstone, the librarian (a great authority on Suffolk’s history), discovered that certain old scratches on the pane were actually names upside down, and he found the names to be those of Francis Light and his schoolfriend James Lynn, who became a surgeon. The names were scratched on the pane about 1747, and in view of its curious interest the glass has now been taken out and preserved as a witness that here lived a Woodbridge schoolboy all too little known to fame.

Francis Light, who went out into the world from this old grammar school, is a striking figure in the annals of the British Empire, for he founded the city of Penang and was the father of the founder of the city of Adelaide. Penang has his statue and Adelaide has his son’s. Remarkable stories have been told about him, but the old story that he married the daughter of a king is not true. He found the Island of Penang a vast jungle of 100 square miles with only 50 people on it, and left it a prosperous place with 10,000 people, having watched over the interests of settlers and natives so that they mourned him as a father. The East India Company, for whom he secured the island, agreed to pay tribute “to last so long as the sun and moon shall give light.” This remarkable man was born at Dallinghoo, where we  come upon him again.

On the school’s roll of fame is the honoured name of Edwin Lankester, the name of John Brinkley (Ireland’s first Astronomer Royal), and that of Baron Hatherley, Lord Chancellor. Edwin Lankester was plunged into poverty as a boy by the collapse of an investment in property, and he left school at 12 to become a watchmaker’s apprentice. He grew up to be a famous botanist and naturalist, but is chiefly remembered for his books on the microscope and his services to public health, which began when he was a coroner. He was shocked by some of the things he discovered, and made a sensation by insisting on proper evidence of the cause of death whatever it might cost. John Brinkley, the astronomer, was made a bishop by George the Fourth. Lord Chancellor Hatherley, brought up at his grandmother’s house in Woodbridge, lived through 80 years of last century, and before he was 30 was earning £1000 a year at the Bar. He was a good churchman and a good Liberal, and it fell to him to announce that Lord Rothschild should take his seat in the House of Lords. He was for more than 40 years a Sunday School teacher in the parish of St Margaret’s, Westminster.

Woodbridge has an interest, as we have seen, in the Australian city of Adelaide which was founded by Sir Francis Light’s son William, and Australia has another town founded by a Woodbridge boy, for George Miles, emigrating from here about the middle of last century, founded a settlement and named it after his own town. There should also be remembered in any description of Woodbridge the well known Suffolk artist Thomas Churchyard, a solicitor by profession but a painter of much skill, a friend of Edward FitzGerald, and often mentioned in his letters. Though FitzGerald himself is perhaps the most famous man who has been familiar in these streets, he has no memorial except his initials on the house where he lived on Market Hill, and the house called Little Grange, in which he lived after that; we come upon him at Boulge, where he lies. We talked in a shop at Woodbridge to two ladies whose grandmother had been housekeeper to FitzGerald, and had often told them of the strange figure walking about with a wide hat and a flowing cloak. It was while he was living on Market Hill that Tennyson came to see him, and it would seem that the meat for dinner was tough, and that FitzGerald was crochety.

We have yet to come to the finest building in Woodbridge, which is, of course, the 15th century church of St Mary, set on a hill and built of black flints, with a tower 108 feet high. The walls of the tower are neatly built, the flints forming designs, the corners crowned with filials and weathercocks. Over the porch are set in niches three figures of the Madonna, St Anne, and St Cecilia, all with crosses, and in the spandrels of the doorway is St Michael with the dragon. Among the fine treasures within are fragments of John Albrede’s 15th century screen still in their place, and 14 panels of the screen are preserved with traces of portraits of saints fading away on them. The marks of a lost brass which had two figures on it suggest that the brass may have been in memory of John Albrede and his wife. A brass of a child’s figure is to John Shorlond, a boy of seven who died in the last years of Queen Elizabeth, and there is a brass tablet to John Sayre, who died in the last year of Shakespeare’s life, and has in his epitaph this touch of humour:

Reader, thou shalt find
Heaven takes the best, still leaves the worst behind.


A monument to Jeffrey Pitman, fashioned in marble and painted and gilded, has five kneeling Elizabethans wearing great rulfs. Pitman was a local tanner who became Sheriff of Suffolk in the time of James the First, and was a liberal benefactor of the town. By his tomb hang two old helmets about 400 years old.

The lovely font has been one of the best in Suffolk, but has lost the colour given to it in the 15th century. Its carvings represent the  Seven Sacraments, and one of the panels shows an imp, who is supposed to be fleeing through the door of the church porch; the font also has a carving of the Crucifixion, and on its shaft is a pot of lilies, symbol of the Madonna. It is in this church that the good Thomas Seckford lies, but this noble benefactor of the town has no sculptured splendour to preserve his name. He needs it not. If we seek his monument we look around - at his Shire Hall, his almshouses, and at the beautiful Woodbridge Abbey, now a private house in the old monastic grounds near the church, and still with some of its Tudor structure unspoilt since the Seckford family owned it.

Woodbridge has known more famous men, but none who served the town so well as Thomas Seckford. He was a lawyer and member of Parliament for Ipswich in Queen Elizabeth’s day, and he helped William Harrison with a book on the rivers and streams of England, a dream which has not yet been properly fulfilled, for not even the Government of this country has a list of its rivers; there is no complete book on them in existence. A more notable service still did Thomas Seckford render to this country, for to his generosity we owe the work of Christopher Saxton, who made the first proper maps of England. His was the first map survey of our counties, and it is to Thomas Seckford that we are indebted for them, for Saxton was his servant and Seckford paid for the maps, which took five years to make, and were dedicated to Queen Elizabeth.

It was here at Woodbridge that we came upon what we must regard as one of the most sacred and astonishing things we have seen in all our tour of England, the head of Oliver Cromwell.

Cromwell ’s Head

IT is an almost incredible spectacle with the hair still clinging to it, with teeth still there, with the forehead we are familiar with (even with the marks of the wart), and we are indebted to Canon Wilkinson for allowing us to see this astonishing relic of our greatest man of action. We found it wrapt in silk, enclosed in many outer wrappings, and kept in a box, from which it was taken so that we might hold it in our hands and look at this uncanny thing, and say, Alas, poor Cromwell! where be your great orations, your thunderings, which were wont to set kings and parliaments and armies in a roar?

By an act of revenge unthinkable to us now the body of Cromwell was dragged from its grave among our kings and hanged at Tyburn, and the head was stuck with a spike through the skull on Westminster Hall, where it stayed for 25 years, until at last it was blown down into the road by an angry wind, picked up by a sentry or a passer-by, and long kept in concealment, for a placard was issued for its recovery, and the finder apparently feared he would be blamed. Eventually it was sold to a member of the Russell family into which Cromwell’s youngest daughter had married, and after this the record tells that the head passed into the possession of an actor who, being in need of money, exhibited it, and finally sold it for exhibition to James Cox, a jeweller in Shoe Lane, who showed it for a time and then sold it to a syndicate of three people. The last survivor of the three was a lady, who, becoming superstitious about her gruesome property, first placed it in the custody of her doctor, Dr Josiah Henry Wilkinson, living at Shortlands in Kent, and then gave it to him. Mr Wilkinson drew up a detailed history of what had happened to the head between the time it was at Westminster and when it reached him. From him it has descended through generations of Wilkinsons to Canon Horace Wilkinson who showed it to us.

We do not think there can be any reasonable doubt that it is the head of the Protector. It has been subjected to every enquiry possible, and has been scientifically examined by Dr Karl Pearson and Dr G. M. Morant, who have applied every known test, and after every possible measurement and comparison with masks and portraits, and every investigation of associated circumstances, have come to the conclusion that it is morally certain that the head is the actual head of Cromwell. These are the last words of their report, which is accompanied by 100 plates:

We started this enquiry in an agnostic frame of mind, tinged only by scepticism as to whether the positive statements made in the past were not based solely on impressions unjustified by any attempt at a scientific investigation. We finish our enquiry with the conclusion that it is a moral certainty drawn from the circumstantial evidence that the Wilkinson head is the genuine head of Oliver Cromwell, Protector of the Commonwealth.

In our grand tour of England we have been in the bare attic of Newburgh Priory in Yorkshire, where it is believed the body of Cromwell was taken by his daughter Lady Fauconberg. It is supposed that the body was walled up in what is still called Cromwell’s room, but the wall has never been opened. If it should be true that the body is there, the nation has now the opportunity for a national act of atonement which will restore the Protector to the Abbey, and it is difficult to conceive a more impressive spectacle than the national burial of our hero with the fame and glory of nearly three centuries heaped upon his name.

Sunday, 12 February 2017

Woodbridge cemetery, Suffolk

Having delivered the youngest to Stansted Airport at 5.30am, and despite the generally cold and gloomy weather, I decided to act on my decision to visit Woodbridge. Unfortunately at the time I failed to notice that I only covered half of the cemetery - on the ground it is not apparent that it is split in half - so a revisit is required.

Frederick Sharman 1899 (1)

Farrett grave

William Amos 1918 (2)

Wednesday, 8 February 2017

Woodbridge, Suffolk

I think I'm going to Woodbridge tomorrow to see if I can find James George Harben Robarts' grave and his wife Hannah Hewitt along with her family - it's weather dependent - obviously I'll look out for CWGC headstones and other memorials of interest.

Wednesday, 2 November 2016

Semer, Suffolk

On my way home I saw a signpost for Semer church so stopped for the last visit of the day. I drove past All Saints at least four times before I spotted it at the bottom of a field, well hidden by its surrounding trees. After finding Ringshall open I rather hoped All Saints would be too but, sadly, I found it locked, keyholders were listed but it was late in the day, starting to rain and the light was going so, since it didn't look likely to be that interesting, I took exteriors and headed home. It is a pretty spot though.

ALL SAINTS. In the meadow by the stream amid old trees. Much renewed. Chancel 1873, timber S porch 1899. - FONT. Square, plain, C14. - PAINTINGS. Moses and Aaron, C18. - PLATE. Elizabethan Cup and Cover.

All Saints (1)

Astonishingly [and I am genuinely astonished as I thought that even if Mee always found something positive, however awful a place may be, he was a meticulous recorder] Semer is the third church/village that he missed in my edition. I don't know if this rectified in later editions or not.

Ringshall, Suffolk

I was pleasantly surprised to find St Catherine open as, due its remote location, I fully expected to find it locked with no keyholders listed; sadly there's not much interest inside [there's some very damaged wallpainting] but the exterior is lovely and sports a Norman tower. I have to say, though, that just for being open it's definitely right up there in my best of Suffolk list.

ST KATHERINE. Unbuttressed Norman W tower. An original S window on the ground floor, and an altered N window. Norman windows in the nave, two on the N side (visible only inside), one altered on the S. The tower was completed and remodelled c. 1300, see the arch towards the nave with triple chamfering dying into the imposts. Of the same time the simple S doorway, and the chancel S doorway. Dec chancel E window, and also Dec the timber S porch. Very rough nave roof with tie-beams, kingposts, and two-way struts. The tie-beams are placed uncommonly low and go right through the walls. In the chancel hammerbeam roof with arched braces to collar-beams. Arched braces also connecting the wall-posts from W to E. These braces are carved. - FONT. C13; Purbeck marble, octagonal. With the usual two shallow blank pointed arches on each side. - PLATE. Cup and Cover Elizabethan.

St Catherine (4)

Font

Wallpainting (3)

RINGSHALL. It has only a cottage or two, a moated farmhouse on the site of an ancient chapel, and a church set on a hill. Most of this small church is 15th century, but it has a Norman doorway over which are traces of 14th century paintings of the Seven Acts of Mercy. Among its ancient possessions are an arcaded font, an Elizabethan chalice, and a fine hammerbeam chancel roof, on which are the initials of Richard Borsall, who paid for the roof 500 years ago. The east window keeps green the memory of Charles Parker, who ministered here for 51 years last century.

Great Bricett, Suffolk

Having finished the Lavenham deanery churches and not having planned any other visits I went on a tour looking for churches and stumbled upon SS Mary & Laurence. The oddness of this building is explained by it being the remnant of an Augustine priory. Inside it is fascinating and rather beautiful and utterly unlike a conventional church, chancel and nave are all of a piece leading to a long narrow building. Definitely the most interesting visit of the day.

ST MARY AND ST LAURENCE. The church is a fragment of a church of Augustinian Canons. The priory was founded c. 1115 by Ralph Fitz-Brian but later became a cell of St Léonard near Limoges. What remains is a long plain oblong. But the church had transepts and these had E apses. Their existence has been proved by excavation, and a main E apse can be surmised with certainty. That was the plan in the C12. It is assumed however that in 1110 no transepts were yet envisaged. Towards the end of the C12 the E end was made straight and second transepts were built to its N and S. Their responds and arches are still visible in the walls. Of the early transepts only traces can be detected. The only impressive Norman piece is the N doorway with one order of shafts, decorated but defaced, an inner order of jambs and one with close decoration, zigzag in the arch, and a partly illegible inscription down the iambs. One blocked Norman slit window in the N wall, one taller round-arched window in the S wall. Other windows of c. 1300. The big five-light 12 window with flowing tracery is Dec. In fact it is said to date from 1868, but it is most probably a copy of what was there before. Tie-beam roof with kingposts and four-way struts. - FONT. Square, Norman, with intersected arches on two sides, trefoil arches on columns on the third, and very oddly pointed—trefoil arches on the fourth. - PULPIT. A very unusual design; probably Victorian. - STAINED GLASS. Fine figures of the four Evangelists, early C14; from the tracery of the E window. - PLATE. Elizabethan Cup.

Pulipt (1)

Looking east

South door (2)

GREAT BRICETT. It has the charm of blossoming orchards in spring and of thatched cottages all the year round. The white manor and the 600-year-old church stand like brothers arm-in-arm by the green, the west wall of the church forming part of the house. The church is rather like a long barn with a gable bell-turret at one end and a fine old porch paved with black and white cobbles. Near it is a round sundial which is thought to have marked the sunny hours in Norman days, or, according to Mr Munro Cautley, perhaps even in Saxon days. A Norman doorway with three rows of zigzag leads to the simple nave and chancel, with a few old carved benches and a splendid Jacobean chest and altar table. There is a fine arcaded Norman font, and in a window are some fragments of 14th century glass showing angels with outstretched wings.

Chelsworth, Suffolk

All Saints should, on paper, be awful - cement rendered exterior and overly restored inside - but is strangely lovely. I think a large part of its charm is its location beside the river Brett however that's not all, it just "feels" right. Definitely the church of the day, not even the hideously restored doom painting could spoil that, but not the most interesting one, that came later.

ALL SAINTS. Not a big church. The outstanding feature is the early C14 tomb recess in the N aisle. It projects to the outside, and has here a flat flint wall with diagonal buttresses. Top frieze of ballflower and two circular pinnacles. Inside the recess has a depressed two-centred arch under a normal two-centred arch under a gable. The arches are carried on short shafts, still with naturalistic foliage. Between the two arches is a big, somewhat depressed trefoil, between the upper arch and the gable a slimmer pointed trefoil. The spandrel surfaces are diapered. l. and r. buttresses, diapered also in their lower parts, and ending in finials. The main gable is crocketed and carries a finial too. The interior of the niche has a rib-vault with finely moulded ribs. The style is that of the Royal Court, just before the introduction of ogee forms. The buttresses prevent the adjoining small lancet windows from having evenly splayed jambs on the l. and the r. Otherwise the church has an early C14 W tower, a Dec chancel (one S window), and two early C14 S aisle windows. Of the Perp features the best are the S porch and S doorway. The porch is tall and has Perp side windows. Handsome ceiling. The doorway is uncommonly ambitious. Hood-mould on angel-busts. Fleurons in jambs and arch. Ogee gable and two niches l. and r. Arcade of three bays. Tall piers with four attached shafts and moulded arches. - FONT. C14, with cusped, crocketed little arches. - SOUTH DOOR with tracery and a border of quatrefoils. - (SCULPTURE. Two original statues in niches in the S porch. P. G. M. Dickinson.) - WALL PAINTING. Doom over the chancel arch, badly restored in 1849. - (STAINED GLASS, in the S porch. Said to be of Pre-Reformation date.) - PLATE. Cup and Cover 1663; Paten and Almsdish 1735.

All Saints (1)

John de St Philibert 1359 (2)

South porch glass (19)

CHELSWORTH. It was to us a bright oasis in a sea of golden corn, with here a peep of beauty, there a wide vista of loveliness, a panorama seen piece by piece as we wandered from point to point. In this tranquil scene we came upon a thrilling echo from world  history, an institution once the mightiest known to man, the Holy Roman Empire.

Through the grounds of the hall meanders the River Brett, and here stands the 14th century clerestoried church, with a tower as old as itself. A curious feature of the exterior is that the north wall of the church, dignified with a ballflower cornice and octagonal turrets, is longer than the others, a riddle whose solution lies within. The south porch, with its old traceried door, has in a window 17th century glass showing a bishop and three children in a boat, and a church tower with birds in flight round the spire. The 14th century font has eight canopied panels, ancient tiles are set at the foot of the rood-loft steps, fine roofs cover the nave and aisles, there is a grand old chest, and in the sanctuary are two splendid Jacobean chairs with figures of women, one holding a cross and one a bird.

One of the medieval treasures of the church was found in the middle of last century, when a great surprise delighted the people here. During the restoration of the wall above the lofty chancel arch there was revealed a wonderful Doom picture. It is believed to have been the work of a monk of Bury St Edmunds, to whose abbey the church belonged. The painting shows Christ on a rainbow, with trumpeting angels flying about Him, the blessed crowned with haloes on one side, and on the other side a horned Satan, with a barbed tail, exulting over the condemned, encircled by flames from the pit.

In the chancel is a stone showing the handsome face of General Stracey Smyth, for many years aide-de-camp to the father of Queen Victoria. He died in 1825 when he was Governor of New Brunswick. A surprising memorial is a marble on the wall to Sir Robert Pocklington, whose inscription tells that he received the insignia of the military order of Maria Theresa from the Emperor of Germany. The order is carved beneath a feathered helmet. The emperor, who bestowed the reward in 1794, was Francis the Second, last emperor of the Holy Roman Empire, Pocklington having rescued him in battle after he had been captured by French cavalry. So he saved the honour and liberty of the titular ruler of the empire won by Augustus in the sea battle against Antony and Cleopatra off Actium, in 31 BC. The crown he wore was that of Augustus, of Charlemagne, of Barbarossa, and Maximilian. That crown, spared to him by the valour of the Englishman sleeping here, he wore another 12 years, and then, quietly at a meeting of his Parliament, dissolved the Empire.

A stone canopy with pinnacled buttresses in the aisle is a fragment of a lost tomb of a lord of the manor. The peace memorial is to Charles Peck, the only man from Chelsworth who did not come home from the Great War. The one-man peace memorial declares that

The people of Chelsworth erected this tablet in proud memory
of Charles Peck, who gave his life for his country in the Great War,
25th September, 1917, aged 19
.

It is a very rare example of a village memorial to a single fallen soldier, reminding us that there is one

In every English wood and hill and lane
Who will not pass this way again
.