CHURCH . Nave, lower chancel and belfry. All much restored by Sir Arthur Blomfield. Norman one blocked N window, C13 the completely plain N doorway. The rest mostly C14, windows especially and SEDILIA. The latter of three seats, framed in one, with the PISCINA, cusped pointed arches on detached shafts. S arcade (also C14) of three bays with octagonal piers and double-chamfered arches. FONT. Of the familiar Purbeck type, square, with five shallow blank arches on each side, C12. - FONT COVER. Handsome, if modest, C17 piece. Semi-globe with ribs crowned by a finial of openwork scrolls carrying a ball.
ALPHAMSTONE.
In narrow winding lanes its houses are strung out, several of them 17th
century and one a 16th century farm. The churchyard has a fine outlook
over the Stour valley, and marks the site of a far more ancient
burial-place in the Bronze Age. Urns dug up hereabouts are in Colchester
Museum. From the wooden bell-turret three Tudor bells ring out, but the
nave walls may be as old as the 12th century, and the south aisle and
the chancel with its splendid sedilia are 14th. One of the porches has
timbers 500 years old, and the other is about a century younger, but
both the doors have been here since the time of Agincourt. There are two
chests and a communion table, all about 300 years old, and a 12th
century font bowl with a 17th century cover. The chancel has two of the
low medieval windows which have long puzzled our antiquarians. They have
kept their ancient iron grilles, and are believed to have been used at
mass, when a bell was rung from them for the people outside to hear. In
several windows is 14th and 15th century glass, including blue and gold
roundels, fragments of suns and tabernacles, fleur-de-lys and cups. A
sad tale is told of the old glass of the church being sold for what it
would fetch in Sudbury market at the beginning of last century.
Flickr.
Flickr.
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