Though technically outside my perimeter, several family tree members are entombed in both villages so a special trip was required.
I have to say that, despite the dubious weather, St Nicholas is probably my favourite church that I've visited to date - well certainly in Suffolk and it's definitely in the top five.
The tower is the crowning glory of the church. Of the 41 round towers in this county it is certainly amongst the finest. The lower part is probably Saxon and was built for defence purposes against Danish raiders. Later, in the early 12th century the Normans added the superb blank arcading round the bell-stage - its wide mortar joints indicating its early date. Originally the tower was probably detached, with access by a rope ladder to the opening, which is now on the inside of the church, above the tower arch.
The south door is early Norman with a plain panelled
tympanum above. The key escutcheon is 14th century, the adjacent
former handle-mounting is Norman, and the door hinges are medieval. Just inside
the church on the left is a blind Norman arch. Pevsner believed it to be the
original north door moved to this position in the 14th century when the north
aisle was built, but Norman Scarfe has suggested that it would have made an appropriate
background for the font which would have originally stood here.
The vestry was built as a chantry chapel in 1520, and
dedicated to Our Lady and St. John the Evangelist, by Sir Thomas Lucas (my
children’s 16th Great Grandfather and one of the reasons for my visit). He
married Elizabeth Kemys from Monmouthshire and was appointed Solicitor-General
to Henry VII, having been promoted to that office from the household of the
King’s uncle, Jasper Tudor. To his credit, Lucas was no friend of Thomas
Wolsey, being sent to the Tower in 1516 for
speaking scandalous words of the Lord Cardinal.
Sir Thomas Lucas loved the litle Church of Saxham, and in his will he decreed that the chancel bee renewed aboute embattiled as the
Church is by myne executors at my charge. His executors, however, failed
him. Whilst the tower and nave are indeed crenellated, the chancel remains unadorned.
Under the archway between his chapel and the chancel, Sir Thomas built a
table-tomb for himself. However, after he died in 1531, he was buried in London
and his chantry chapel was taken over by the Crofts family who made it their
own memorial chapel. Sir John Crofts (my 152th Great Grandfather) bought Sir Thomas’s
mansion, Little Saxham Hall, which was similar in design and magnificence to
Oxburgh Hall in Norfolk. It was demolished in 1773. The vestry, which is kept
locked, now houses the massive baroque monument to William, 1st Baron Crofts
(d.1677) and his second wife, Elizabeth, daughter of Lord Spencer of
Wormleighton, by Abraham Storey. The Lucas tomb was replaced in the roughest
possible manner with fragments of it being used to block up the archway. In his
Dictionary of British Sculptors, 1660- 1851, Rupert Gunnis wrote,
Storey’s monuments
are of great importance, his finest being one commemorating Lord and Lady
Crofts at Little Saxham, Suffolk, which was erected about 1678. This has a life-sized,
semi-recumbent figure of Lord Crofts in full peer’s robes, while his wife
reclines on a lower table.
It is signed on the right hand side, Story Fecit, and the
initials A.S. appear on the seal which His Lordship is holding. The shield at
the bottom carries the arms of Crofts impaling Spencer.
William Crofts was brought up in the household of the Duke
of York and accompanied the royal family in exile. When Lucy Walters died in
Paris in 1658, her son by Prince Charles - James, the future Duke of Monmouth –
was entrusted to his care. John Gage, writing in 1838, describes the madcap
Crofts, as one of those choice spirits who were at once the delight and
discredit of the court of the merry monarch. He was one of the Gentlemen of the
Bedchamber and was raised to the peerage, probably for raising money for his future
monarch.
Charles II used to visit the Crofts at Saxham when he
came to the Newmarket races. He attended a service here on 17th April, 1670,
when he listened to a lengthy sermon from George Seignior, a Fellow of Trinity
College, Cambridge.
The King was impressed by its theme and had the sermon printed
by His Majesty’s special command. (A copy is in the West Suffolk Record
Office.) Pepys recorded this visit to Saxham in his diary but some of the pages
of his manuscript have been cut out; because, Gage says, from memoranda remaining,
it seems to have been a scene of debauchery.
On the east wall of the vestry there are two monuments: a
fine one to Elizabeth Crofts, who died on 1st October, 1642, with a fulsome
eulogy four cherubs and a rare topless bust. This is an unusual feature for the
Commonwealth, but foreshadows the liberated age of the Restoration. Secondly a good
classical monument signed by William Palmer, a prominent sculptor who had
worked under John Nost, to Anne Crofts who left
this world for a better Sept. 22 1727.On the west wall there is a rather heavy
monument to her husband, William Crofts, who died in 1694.
Two parts of the original rood-screen are now in the Tower
archway with fine carvings of lions, birds, rabbits, a dog and squirrels facing
each other in the spandrels. The oak extending Stuart bier is a rare survival and
a wealth of poppyheads are delightful: one is a beautiful praying figure, while
the rest are exotic animals. Many medieval ones, easy to differentiate from
later replicas, survive.
I suppose I shouldn’t be surprised but to my astonishment
Simon Jenkins makes no reference to St Nicholas – I know he only chose 1000
churches, and that any such choice is bound to be subjective, however, his
selections, or rather omissions, appear more and more baffling.
Pevsner: ST NICHOLAS. The most spectacular Norman round
tower in Suffolk. Round the top a rhythmical order of arches on columns. In the
four main directions they hold deeply recessed two-light bell-openings, in the
diagonals two lower blank arches. Billet frieze along the sill-level. The tower
arch into the nave is tall, and s of it is a blank arch on colonnettes with coarse
volute capitals. It is the re-used Norman N doorway. All these Norman arches
have strong roll mouldings. Norman also the s doorway, also with volute
capitals and also with a roll moulding and an outer billet frieze. Dec N aisle
with its three-bay arcade (very elementary continuous mouldings) and its clerestory
windows over. The s porch belongs to the same time. Finally the Perp
contribution: the nave and chancel s sides with uncusped, rather bald tracery,
the E window, and the N chapel. - PULPIT. Jacobean. - COMMUNION RAIL. Brought
recently from Little Livermere. With c 18 balusters. Coming forward in the
middle in an elegant double curve. - SCREEN. Only the dado survives. - STALLS.
The fronts have openwork flat tapering balusters, a Jacobean motif. - BENCHES.
With reclining animals as poppyheads. One end has a kneeling and praying figure
instead, and one end is traceried. - BIER. A C17 bier in the N aisle; a rare
survival. - PLATE. Two Patens 1799. - MONUMENTS. Thomas Fitzlucas d. 1531,
erected before his death (he was buried in London). Four-centred blank arch with
cresting. Inside, the panels with lozenges and quatrefoils with shields which
faced the sides of the former tomb-chest. - William, Baron Crofts, d. 1677, by
Abraham Storey, signed by him and with his initials on a badge which the baron
holds. Big standing monument of white and black marble. Two semi-reclining effigies,
he above and behind her, i.e. a conservative motif in the last quarter of the
century. ‘Modern ’ on the other hand the back architecture, with columns
carrying a large open scrolly pediment. - Mrs Ann Croftes d. 1727. By W.
Palmer.
LITTLE SAXHAM. Its delightful group of thatched cottages look
through odd-shaped windows at one of the most curious round towers in England.
It is Norman, with blank walls lit only by a narrow west window with zigzag
ornament up to the top stage, where arches and windows give an unusual and
striking effect something like a round loggia. Very lightly the tower carries
its 800 years. Gargoyles are round the parapet, and inside is an arch nearly
four times as high as it is wide, and a low recess which appears to have been a
seat flanked by small pillars with crude capitals. The Normans also built the
nave walls, and the south doorway is as they left it, grand with chevron
carving. The chancel, the aisle, and the porch with a scratch dial were finished
about 500 years ago, and a touch of the old colouring is left on a pier. Dogs,
ducks, and pelicans perch as poppyheads on the fine old benches. The Jacobean
pulpit has a carved sounding-board. Bits of the old screen are preserved on each
side of the altar. The east window pictures four saints: Nicholas with a child,
Peter and Paul with books, and Edmund with arrows. Close by is an oval of old
glass with the Croft arms in bright colours. Coloured shields are round a
nameless tomb in the wall, some more on the chancel memorial to Sir Thomas
Lucas, solicitor-general to Henry the Seventh.
It was Sir Thomas who built the manor. Only part of a
moat and some foundations in a field remain of this house where Charles the Second
was entertained and where our two most famous diarists used to come. Charles
came to stay with William, first and only Baron Crofts, whom we see in the
church reclining with his wife in a massive black and white monument, he with a
crown and she with a book. It was in the charge of this Madcap Crofts, as he
was called, that Charles placed the son known at that time as James Crofts, and
later as the ill-fated Duke of Monmouth. Pepys was here on one of the king’s
visits, but all he records is a glimpse of the king reeling drunkenly to bed;
while John Evelyn tells of how, finding himself at Bury St Edmunds, he came
along here to call on this same William Crofts and found him dying.
Flickr.
Flickr.
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